Calliope School of Folk Music offers courses in a wide variety of instruments and styles, with offerings for students from beginner to advanced.

Find your class below to register online, or give us a call at (412) 361-1915.

Spring Registration is now closed. Fall schedule will be posted soon.

Become a Calliope Member and Receive a Discount on Classes!
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Guitar
Mandolin
Banjo
Ukulele
Fiddle
Bagpipe / Uilleann Pipes
Appalachian Dulcimer / Hammered Dulcimer
Harmonica
Accordion
Voice
Crafts
Dance
Percussion
Irish Tin Whistle
Ensembles/Jam Session
Songwriting
Music Theory

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Accordion (Piano)

THIS COURSE IS NOT CURRENTLY AVAILABLE FOR REGISTRATION

All levels are welcome in this comprehensive presentation of the squeezebox. Basic music notation will be reviewed, and along with fundamentals of treble and bass techniques this class will include the history, care and maintenance of the accordion. We will also spend time learning various bellows techniques that will assist in your phrasing and keep you playing smoothly. A myriad of musical styles—including polka, tango and more--will be played.

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Highland Bagpipe I

SPRING: Tuesdays, 7:00-8:00 PM
Instructor: George Balderose

Learning the pipes begins with a quiet instrument called the practice chanter, which is a reed instrument with the same number of finger holes as the chanter of the bagpipes. This enables you to quietly learn the correct fingering of pipe music without blowing hard and making a lot of terrible noises. This course will focus on correct fingering technique and will cover the rudiments of music, such as tone, tuning, rhythm and expression. To purchase a practice chanter and instructional book contact the instructor at info@bagpiping.org

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Highland Bagpipe II

SPRING: Tuesdays, 6:00-7:00 PM
Instructor: George Balderose

This course is primarily concerned with playing tunes on the Great Highland bagpipe, with attention to clear technique, tuning, rhythm and expression, and the expansion of solo and pipe band repertoire.

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Highland Bagpipe III

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course is primarily concerned with playing tunes on the Great Highland bagpipe, with attention to clear technique, tuning, rhythm and expression, and the expansion of solo and pipe band repertoire.

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Beginning Uilleann Pipes

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course is intended for the beginning student. Emphasis will be placed on producing a steady tone and accurate fingering of the chanter. A practice set is required (chanter, functioning reed, bag, & bellows), preferably in the key of D. If there is a concern about playability of the instrument the student should check with the instructor before registering for the class.
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Uilleann Bagpipe II

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course is for Uilleann piping students who are able to play some tunes from memory on the practice set (bag, bellows, and chanter). Special attention will be given to expanding the student's repertoire, executing uilleann piping embellishments in the context of tunes, and generating good tone.

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Uilleann Bagpipe III

SPRING: Tuesdays, 8:00-9:00 PM
Instructor: George Balderose

 

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Ukulele I

SPRING: Tuesdays: 6:30-8:00 PM
Instructor: Dan Davisson

 

**The instructor will also charge a $5 material fee.

This class is for those who are new to the ukulele, including those who may have had trouble learning to play other stringed instruments like the guitar or banjo. No previous experience is expected, or required.
We will begin with the most basic elements, such as how to tune and hold a uke, then over the course of the four weeks we will learn a variety of strumming techniques and patterns, basic chords, and even begin exploration of several forms of melody playing. The songs we will use come from a variety of styles. Bring your uke and tuner to the first class.

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Advanced Beginning Ukulele

SPRING: Tuesdays: 8:15-9:45 PM
Instructor: Dan Davisson

**The instructor will also charge a $5 material fee

 We will begin where Ukulele I leaves off, so this is a good continuation for those who take the first workshop, or for those who have some experience playing the ukulele. You should be comfortable basic elements, such as how to tune and hold a uke, then over the course of the four weeks we will build upon your knowledge and continue to explore several forms of melody playing. You will learn new and more difficult chords than in Ukulele I, have an introduction to chord melody in relatively easy songs (ukulele solos) and play the same songs in different chords. The songs we will use come from a variety of styles. _________________________________________________________________________

Banjo I: Five String

SPRING: Mondays, 6:30-8:00 PM
Instructor: Harold Yeager

This course is designed to get new students playing the five string banjo. No experience is necessary. The student will learn the fundamental techniques of clawhammer and three-finger Scruggs style bluegrass banjo. Instruction will include tuning, basic chords, and playing simple melodies in the clawhammer style. Students will also learn roll patterns, backup techniques, and to play simple melodies in the Scruggs three-finger style.

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Banjo I: Clawhammer

SPRING: Mondays, 8:15-9:45 PM
Instructor: Janet Reing

The clawhammer style of banjo is a traditional Appalachian mountain style sometimes called frailing or rapping. Learn the basic right hand technique while chording songs and playing tunes by ear. Some tablature will also be available. Students will begin to learn tunes from listening to tapes as well. This is a great class for those who have taken Banjo I: Five String and want to continue banjo instruction, or for those who have had some experience playing the banjo on their own.
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Banjo II: Bluegrass

SPRING: Mondays, 6:30-8:00 PM
Instructor: Ron Morelli

This course is designed to teach fundamentals of Scruggs-style three-finger bluegrass banjo, with special emphasis upon group playing essential to bluegrass. Instruction will cover the basic roll patterns, common licks, and both solo and backup playing. Students will be encouraged to learn group playing by accompanying each other in class. A tape recorder and a looseleaf notebook to hold handouts are recommended. Former Banjo II - Bluegrass students are welcome to sign up for this class again. Although the basic structure of the course will remain the same and is geared toward beginning bluegrass banjo students, the instructor will make a special effort to challenge any repeat students by providing them with supplemental tunes and teaching them new techniques. The instructor has prepared some additional information for prospective students, including suggestions on what basic skills students should have or work on in advance to get the most out of the course. The Calliope office can provide details on how to get this information. This course is appropriate for those who have taken Banjo II before. Techniques will be explored more in depth.

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Ensemble III: Old-Time String Band

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This ensemble class is for fiddlers, banjo players, guitarists, mandolinists and string bass players who want to learn the basics of string band performance and have structured practice time with other musicians. Students should be proficient on their instruments and be able to learn tunes by ear. The course will focus on both contra dance repertoire and old-time tunes. If your instrument is not on the list above, please check with the instructors.

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Beginning Old-time Jam Ensemble

SPRING: Mondays, 6:30-8:00 PM
Instructor: Janet and Mike Reing

 

If you can already play some tunes on the fiddle, banjo, guitar or mandolin and are interested in playing some old time tunes with other people but aren’t quite sure that you are ready to jump into a community or festival jam session yet, then this class may be for you. The primary activity in this class will be the communal playing of common old time session tunes slowly and at a more moderate pace. Although not an instructional course per se, participants will learn some tunes by ear, be provided with the appropriate chords for accompaniment and be introduced to the rhythms, nuances and elements of style that make up the specific genre we call “Old Time Music”. Members of the class will learn “session etiquette” and what works and doesn’t work in an Old Time Jam Session. We will focus on the keys of D, G and A. Participants should be able to play at least three simple tunes by ear, however slowly, continuously (from the beginning to the end of the tune without stopping). The above noted instruments are welcome. Please contact Calliope if you want to bring a different instrument.

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Appalachian Dulcimer

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Learn how to play the Appalachian (mountain, lap) dulcimer. You will cover basic techniques of strumming, playing in different modes, chords & melodies, and using tabulature. Other techniques such as the Nashville shuffle, hammer-ons and pull-offs, accompanying songs, and beginning finger picking will be introduced depending on the needs of the students. The repertoire will be varied to accommodate students who wish to take the course again.

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Beginning Hammered Dulcimer

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This class is for those who are just getting started with the hammered dulcimer. The class will cover how to tune the dulcimer, basic hammer techniques, and how to find your way around the dulcimer. Tunes will be from the Irish, Scottish, Old-Time and New England traditions.
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Fiddle I

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

No experience is necessary, coordination and a good ear is helpful. A fiddle is the same instrument as a violin, the distinction comes from the background of the music, and the rules (or lack of ) regarding how it is played. Learn to play fiddle by starting with some simple old tunes. In an over simplified way, fiddling is a lot like learning how to sing. You make a note sound, then move your fingers up or down a string to find the next. The bow is moved ( like pushing out breath ) and you can sustain the tone. However, don’t be in a big hurry, the coordination required to handle the bow well takes a long time. Speed is not the most important thing, critical factors are keeping the bow moving perfectly straight, and smooth. The way you move is the way you sound. If you already play mandolin ( they are tuned the same ) you will have some left hand experience that may be useful, but you still have to deal with the fact that the fiddle has no frets!

For class you must bring a fiddle (violin) and a bow in playable condition. If you are in doubt, we recommend that you have it checked by a reputable dealer. This course will be taught by ear with some written study aids provided. Students are strongly urged to bring a recording device and something to write with. The instructor will also provide a practice cd ( for an extra $5 ) that has all the tunes covered in Fiddle I and Fiddle I Repertoire.

Note to violinists: Often students with many years of violin training are interested in learning the subtleties of the fiddling style and wish to join these classes. I welcome the participation, but I will always maintain a pace that suits the beginners who have only just started.

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Fiddle I: Repertoire

SPRING: Tuesdays, 6:30-8:00 PM
Instructor: Mark Tamsula

For anyone who has recently begun to learn the fiddle, this class is mainly suited for students who have completed the 8 week course Fiddle I ( please see the description for this course ). As previously mentioned, the coordination required to handle the bow well takes a long time. Fiddle I Repertoire will present more tunes in the key of D, all at a similar skill level as presented in Fiddle I.  Fiddle I started from scratch and covered the very basics of handling the instrument, coordinating the bow with the rhythmic “shuffle” action, and getting familiar with the layout of the fingerboard by learning six basic tunes in the key of D, in the Old Time Appalachian style.  While emphasis is placed on learning by ear rather than reading music, Fiddle I students were encouraged to identify the notes being played by name ( D, E, F#,.. etc. ) This becomes an inceasingly important part of managing a sizable class and communicating the lessons effectively. Admittedly, learning the notes by name is not for everyone, the instructor will do his best to accommodate all.

The instructor provides a practice cd ( for an extra $5 ) that has all the tunes covered in Fiddle I and Fiddle I Repertoire.

Note to violinists: Often students with many years of violin training are interested in learning the subtleties of the fiddling style and wish to join these classes. I welcome the participation, but I will always maintain a pace that suits the beginners who have only just started.

Level:  Very new to instrument, few months experience. Best preparation is to take Fiddle I.

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Fiddle II

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

For students with six months to a year of fiddle experience. Unless you are an extremely well coordinated person, there is no short cut / substitute for six months of experience with bowing. Best suited for students who have completed Fiddle I and Fiddle I Repertoire, who have covered about sixteen basic old time fiddle tunes ( slow to medium tempo, in the key of D ). This course will proceed to work on tunes in the other common keys of Old Time fiddling A, C, D and G. Each tune demonstrates something new either in left hand technique or bowing, and hopefully forms a solid foundation of skills and repertoire for the student to draw upon from now on. The tunes presented in Fiddle II and Fiddle II Repertoire will cover a broad range of styles within the Old Time genre, and include a few Irish tunes as well, allowing the students the opportunity to decide on a more specific direction to follow in their next course. Fiddle II  will be taught by ear with some written study aids provided. Even though playing by ear rather than reading is encouraged, students from Fiddle I and Fiddle I Rep. have been given a lot of emphasis on knowing the notes they play by name ( D, E, F#…, etc. ) This is an important factor for communicating lessons with a large class. Students are urged to bring a recording device and something to write with. The instructor will also provide a practice cd ( for an extra $5 ) that has all the tunes covered in Fiddle II.

Note to violinists: Often students with many years of violin training are interested in learning the subtleties of the fiddling style and wish to join these classes. I welcome the participation, but I will always maintain a pace that suits the beginners who have only been playing less than a year.

Level: Intermediate. Six months to a year experience with bowing. Best prerequisite: Fiddle I and Fiddle I Repertoire.

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Fiddle II: Repertoire

Spring: Tuesdays, 8:15-9:45 PM
Instructor: Mark Tamsula

For students with a year or more of fiddle experience. Unless you are an extremely well coordinated person, there is no short cut / substitute for a year of experience with bowing. Best suited for students who have completed Fiddle I, Fiddle I Repertoire, and Fiddle II who have covered about twenty-five old time fiddle tunes ( medium to fast tempo, in the keys of D, A, G and C ). This course will proceed to work on an ever-expanding repertoire of tunes mostly in the Old Time style, but also including a few Irish and Cajun tunes at times. The intention is to contantly provide new tunes for returning students, while keeping the skill requiurement suitable for anyone who has just attained this level. Please review the descriptions for the previous courses: Fiddle I, Fiddle I Rep., and Fiddle II.

Note to violinists: Often students with many years of violin training are interested in learning the subtleties of the fiddling style and wish to join these classes. I welcome the participation, but I will always maintain a pace that suits the beginners who have only been playing less than a year.

Level: Intermediate. A year or more experience with bowing. Best prerequisite: Fiddle I, Fiddle I Repertoire, and Fiddle II.

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Guitar I

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This class is designed to introduce the new player to the fundamentals of guitar playing: strumming, tablature, chords, tuning and basic care of the instrument, what the left hand does, what the right hand does, and putting them together to do some musical things.

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Guitar I: Repertoire

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This is a great follow up to the 8 week Guitar I course. Perfect to continue your education in playing the guitar and get you ready to move on to style-specific guitar classes such as Guitar II: Survey of Folk Guitar Styles.
***Please be aware there is a $5 MATERIALS FEE payable to the instructor at the first class.***
Students must have basic knowledge of the guitar. Different material will be presented than in the beginning Guitar I.

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Guitar II: Blues Improv

SPRING: Mondays, 6:30-8:00 PM
Instructor: Ken Lamison

An interactive ensemble class for Intermediate and Experienced players. Students will learn the essential elements of blues song construction, and develop improvised solos in the blues tradition. Music reading is not a necessity and recording is encouraged.

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Guitar II: Survey of Folk Guitar Styles

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course is designed to bridge the gap between experienced beginners and intermediate players. It may also be useful for those guitarists who used to play more regularly and are getting back into the swing of it, or for players who are looking for new ideas, songs, and tunes. Drawing from blues, old time, celtic, and folk hits of the '60's, a variety of right and left hand techniques will be introduced that are guaranteed to open up your playing. All students must be able to tune their own guitar, know the first position chords and be able to play ten 3-chord songs and/or tunes without breaking rhythym. Use of a capo is necessary for some material. Use of tape recorders and note-taking is encouraged.
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Zen Guitar

Spring: Mondays, 8:15-9:45 PM
Instructor: Ken Lamison

"Zen guitar taught me the subtleties, nuances, and variations of theory, technique, and application which individualize a musical composition. A guitar think tank." -Previous Student

The teaching is divided into five stages, each signifying progression along the path of Zen Guitar:

1) Beginner's Mind 2) Practice 3) Responsibility 4) Barrier 5) The Way of Zen Guitar

From this class, each student will take away something different. Those already skilled in music can benefit from Zen training. Many guitarists with talent who seem to lack direction, who can't articulate a reason for doing what they do. The Way of Zen Guitar gives those players a sense of purpose. Follow the samurai maxim that says, "From one thing, know ten thousand things." Music can teach you everything you need to know.

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Beginning Harmonica

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This class introduces the basic technique and good habits of learning the diatonic harmonica.  Students will need to bring a diatonic harmonica in the key of C.  Students will work on simple melodies and be introduced to different playing methods such as tongue blocking and playing in first and second position.

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Mandolin I

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This class introduces basic left and right hand technique for all styles of mandolin, instrument care, tuning, and some simple tunes.  Students will play slowly at first focusing on good tone and developing muscle memory in their fingers rather than speed.  Music will be provided in tab and standard notation formats.
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Mandolin II

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

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Irish Mandolin

Spring: Tuesdays, 6:30-8:00 PM
Instructor: Carol Palmer

This class is designed for intermediate and above mandolin players, or students who have taken Mandolin II.  The focus will be on learning the different Irish dance rhythms, including jigs, reels, polkas and hornpipes, as well as adding ornamentation to give your tunes a distinctively Irish sound!  Class material will be offered in both music notation and tablature.

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Braided Tote Bag

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Braided Tote Bag Use scrap wool fabric to make a lovely and practical braided tote bag. Learn to fold the fabric, braid it, and lace braids together to create a vibrant accent piece. Learn the basics of making a braided rug while making your unique tote bag. Purchase scrap wool from instructor, or recycle woven wool items to make the bag. Beginner kit is $25, or assemble your own kit.
Materials List: A. Beginner kit: Braidkin lacing needle #18 tapestry needle 5" - 6" straight hemostat or needle nose pliers 50' lacing cord rubber bands, clothespins, safety pins, small ruler, needlecase and sewing needle B. Other needed items: scissors, thread C. Optional: braiding stand, braid-aid folders (can rent from instructor) D. Fabric: About 2 yards assorted woven wool scraps, washed.
Week 1: Tote Bag pattern, how to fold strips and braid, making the first corner. Homework: Braid 5 rows. Week 2: Lacing the center line, and beyond. Color changes. Homework: Braid and lace 5 rows, and make a color change. Week 3: Lacing the sides; incorporating braided patterns such as diamonds and rick rack. Homework: Braid and lace 5 rows, putting a pattern in the braids. Week 4: Making the handles; finish by burying and fringing the 3 strands. Photos!

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Hand Embroidery

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Hand embroidery is a folk art that has been practiced all over the world yet has changed relatively little since ancient times. Today, it is still a cherished technique for adding a personal "story" to all kinds of fabric items. In this class, we will cover the tools of the trade, six different embroidery stitches plus how to use a "stitch dictionary," methods for transferring your own designs onto fabric, and image resources both online and in print that will leave you itching to stitch! No previous sewing experience necessary.
Material List To Bring To Class:
- One 7" round embroidery hoop (plastic or wooden)
- A sharp sewing needle with a large eye
-A pair of small, sharp scissors
-A pencil
*The instructor will provide fabric for you and the embroidery floss for the first class meeting.
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Beginning Afro-Latin Percussion

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Learn the music and rhythm of Carnivale! This class will anchor you to the Afro-Latin style of percussion. Drumming on conga drums, as well using cow bells and other auxiliary percussion will be emphasized. Beginners and advanced beginners are welcome. No experience is necessary. The teacher will provide instruments during class. However, for students to get the most out of the class it is recommended to have at least one of the following instruments at home to practice with and/or to bring to class. *Claves* highly recommended, rhythm sticks maracas conga djembe cow bell bongos Cuban, Dominican, or Puerto Rican Guiro.

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Bodhran I

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course will cover rhythm theory for the Irish frame drum, introduce reels and jigs, and discuss equipment selection and care, with opportunities for workshop study and session etiquette. Emphasis will be on basic right-hand technique.

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Bodhran II

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course will continue where Bodhran I left off with rhythm theory and right-hand technique. The class will also survey the variety of bodhran styles played today and in the past.

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Beginning Voice

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

If you'd like to sing, but your nerves and inability to carry a tune get in your way, this voice course is for you. Learn new songs, polish ones you already know, study proper breathing and vocal techniques, and gain experience singing solos as well as in small groups. Students who have previously taken the course will benefit from covering new material. This class will meet at the instructor's home in Squirrel Hill. (Address will be given upon registration).

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Harmony Singing

SPRING: Tuesdays, 8:15-9:45 PM
Instructor: Charlie Anderson

This is a class for singers who want to improve their ability to improvise harmony parts. We will be learning how to "find the right note" for three-part close harmony parts, bluegrass-style. We will not be restricted to strictly bluegrass repertoire and students are encouraged to bring songs to work on. There will be very little written material and lots of singing, so a recording device will be helpful in learning songs and parts.
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Traditional Ballads

SPRING: Mondays, 8:15-9:45 PM
Instructor: David Bennett

The class is an introduction to Traditional ballads and ballad singing. Explore the rich repertoire of Traditional ballads from Appalachia and the UK.  Discover how they are best interpreted and performed. Attention will be paid to traditional performance practices as well as suggestions on how to present ballads to modern audiences. The class will focus on
sound recordings, as well as at least 2 live performances for each class. Participants will prepare and perform ballads in a supportive and small class environment. Class members will leave the class having learned 2-4 traditional ballads. This class will meet at the instructor's home in Observatory Hill. (Address will be given upon registration).
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Put Your Harmony Where Your Voice Is!

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

This course will teach students how to coordinate singing with their instrumental accompaniment. We will work on putting together lyrics and string accompaniment by first using simple familiar melodies and then developing song favorites of class members.  There will be lots of individual attention as class members  work on pieces of their own choosing. 

Participants must have basic know how on playing his/her own instrument AND be familiar with basic chords and be able to play  them on your instrument.
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Irish Tin Whistle

SPRING: Tuesdays, 6:30-8:00 PM
Instructor: Charlie Anderson

Whether you’ve just purchased a whistle or have been “noodling” away for a while, come learn to play this humble but wonderful instrument! In this class, you’ll learn all about tin whistle as it’s used in Irish Traditional music. We’ll cover fingering, breathing and tone as we learn some simple Irish Tunes. We’ll also introduce you to beginning Irish ornamentation as used on the whistle. No need to read music, you can play by ear (or music will be provided if you want). Students must bring a “D” whistle, and a recording device is highly recommended.
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Music Theory for Folk Musicians

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Here's a class demystifying all those terms you hear musicians tossing around: keys, chords, scales, harmony, dissonance, etc. If you are a singer who wonders what to say when the guitar player asks you what key you want to sing in, this class will help. If you are a guitar player who wonders what to do when the singer changes keys on you, this class will help. Learn to sing what you play and play what you sing. We will use folk songs and the Kodaly music education techniques to get more comfortable with the structure behind melodies and harmony and the terms used to describe them. A great course for those who play instruments and for voice students with basic music skills.

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Songwriting

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Have you ever wanted to write a song? Are you stuck on music or lyrics and need time to work something out? This songwriting class will cover the basics of folk and pop songwriting, explore songwriting through simple exercises and new perspectives, and provide participants with an opportunity for collaboration and feedback from a community of fellow writers. Guest songwriters will be on hand. Proficiency with an instrument is ideal.
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International Folk Dance

THIS COURSE IS NOT CURRENTLY AVAILBLE FOR REGISTRATION

Join this introductory class and become a part of the rich traditions of folk style dancing from around the world!  Plus, you can get some exercise in a casual atmosphere with or without a dance partner.

During session one, learn to dance in Southern Appalachian style.  Old-timey mountain square dances were once common throughout the Appalachian region.  Session two will concentrate on European Village dances including circle dances, sets, horas, Schottische and gypsy dance from Germany, Czechoslovakia, Poland, Sweden, Finland, Romania and Serbia.  Enjoy Mexican waltzes in session three that can be performed with or without partners, lines, circles, waltz style stepping and more intricate foot patterns.   Session four concentrates on Garland dancing which uses decorated arches/whoops, sticks, ribbons, hankies and decorated staves. Garland dancing can range from rustic dancing, feminine styles, festive showy performance styles, to dancing with crisp precision using varied dance props.

 

 

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